One of the most noteworthy deleted scenes that Murawski fished off of the cutting room floor sees Marko’s daughter and her mother hanging out at a park. The editor’s cut leans into this aspect more. A parent would do anything for their child, and Marko embodies that. The only reason he robs banks is to pay for his terminally ill daughter’s treatments. He may not have the most exciting powers, but Flint Marko is a classic example of a villain who’s hard to root against because his motivations are understandable. While Venom is a fan-favorite and Harry Osborn is more crucial to the larger trilogy arc, Sandman is the most compelling villain in Spider-Man 3’s overstuffed plot. He even signs off with his “Stan’s Soapbox” catchphrase: “‘Nuff said.” While Peter is enjoying a Times Square display about Spidey’s heroics, a smiling Lee joins him and says, “You know, I guess one person can make a difference,” which both sums up the thesis of Lee’s hugely influential superhero stories and describes the legacy of Lee himself, who used comics about caped crimefighters to inspire generations of readers to do the right thing. Spider-Man 3 also has possibly the greatest Stan Lee cameo of all time. Tobey Maguire continues to bring his all to the quintessential on-screen portrayal of Peter Parker and there are a few breathtaking set pieces, like the scene with Gwen Stacy and the malfunctioning crane. The changes aren’t all that noticeable, but the viewing experience feels different.ĭespite its many faults, there’s a lot to love in Spider-Man 3. Murawski also features a couple of previously unused tracks from Christopher Young’s musical score. The editor’s cut was released in 2017 to coincide with the 10th anniversary of the theatrical cut.Ĭlocking in at two minutes shorter than the theatrical cut, the editor’s cut of Spider-Man 3 shuffles around the structure, extends one sequence, removes a handful of particularly egregious scenes, adds three new ones from the cutting room floor, and swaps out three other scenes for alternate versions. Murawski was apparently dissatisfied with Raimi’s vision for Spider-Man 3 and went on to cut together his own version.

RELATED: Spider-Man 3 Is A Better Movie Than Everyone RemembersĮditor Bob Murawski worked on all three Spider-Man movies, won an Oscar for editing The Hurt Locker, and has reteamed with Sam Raimi for Doctor Strange in the Multiverse of Madness. On the whole, it doesn’t alter as much of the movie as it was hyped up to, but there are a few key changes that make it worth checking out. It’s difficult to get a hold of because Sony has never released it on its own, so fans have to invest in obscure Blu-ray boxsets in order to find it, but there’s an editor’s cut of Spider-Man 3 that reduces Venom’s role and focuses more on Peter’s journey. Its plot was criticized for utilizing too many villains, with Spidey facing off against Venom, the Sandman, and the Hobgoblin all in the same movie, and the scenes after Peter bonds with symbiotes and turns into a moody emo are cringeworthy at their best and baffling at their worst. After the first two entries in Sam Raimi’s Spider-Man trilogy were hailed by critics as revolutionary comic book movies that changed the genre forever, Spider-Man 3 was met with a much more mixed response.

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